The most brilliant work in this genre since the 1984 uncut version of Sergio Leone's flawed but staggering Once Upon a Time in America.. Pretentious, portentous and humorless.. It's a film at times so visually beautiful, thanks to master cinematographer Conrad L. Hall, that it takes your breath away.. Sam Mendes's 2002 follow-up to American Beauty finds him every bit as adept, arty, and Oscar hungry.. . While crisply edited and unindulgent, Mendes' work is gratifyingly old-school in its rejectio...
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